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Contents. Plot Madhava Padayachi narrates his life to a young man who saves him from shame. The man goes to his home village by a bus and feels for Madhava, who was a rich farmer long time back in his village. Madhava is fondly called Madhavar. He, his wife Velayi , and their three sons live a happy life in their village. He is an honest and hardworking farmer who will do anything for others. And he is well-respected by everyone in the village.
Velayi is his strength, but the others in the family do not approve of his nature, especially in money matters. However, Dhandapani , a close relative, instigates Madhavar's children and makes them speak harshly to their father. This deeply hurts Madhavar, and he leaves his home with his wife. Madhavar goes to his good old friend Hajabhai and his wife Kameela and accommodates himself in their house.
Hajabhai was helped by Madhavar in his bad times in the past. But an unforeseen incident makes Madhavar leave Hajabhai's home and set off on a long journey that recalls his past years of his life. The rest of the film shows his journey as an old man and how fate plays its role.
![Nottu Nottu](/uploads/1/2/5/4/125459744/864390059.jpg)
Thankar Bachan, who began his expedition in the film world in 1990 as a cinematographer also has few literary works like Vellai Maadu, Onbadhu Roobai Nottu, Kudi Mundiri and Isaikkaada Isaithattu to his credit. This movie, a big screen adaptation of his critically acclaimed novel of same name, has all elements of his creative genius and is sure to make an impact as a masterpiece among true movie lovers. Besides this, for Sathyaraj, this film is bound to catapult him to a higher stratosphere in Indian cinema.
A man who is totally bereft of worldly malice and spite is Madhava Padayachi (Sathyaraj). He is innocence personified and Velaayi (Archana) is his life partner who is a boon bequeathed to him. The happenings in their life by and large form the story – that still happens to haunt some nook and corner of many villages in our country. The film opens.
Madhava Padayachi and his wife Velaayi consider hard work as the ultimate panacea and are child-like in their hearts. Padayachi’s benevolence comes to the fore when he decides to bail his close friend Hajabai and his wife Khameela (Nazar and Rohini) out of a difficult situation by pledging Velaayi’s jewels. Hajabai gets affluent in the process when he graduates from small betel leaf business to a much better venture. Meanwhile instigated wrongly by relatives, Padayachi’s sons and daughters-in-law demand that their property be handed over to them, resulting in Padayachi and Velaayi’s exit from the village. At this juncture, his friend Hajabai comes to his rescue and helps him earn his livelihood by setting up a goat barn.
When life seems to pass smoothly, shock comes in the form of Velaayi’s death who succumbs to snakebite. Meanwhile, Hajabai affected by cancer, leaves for Bengalooru dividing his property among his brothers-in-law, leaving the goat barn to Padayachi. Unable to tolerate this, Hajabai’s brothers-in-law snatch away this little bit of wealth also from Padayachi. Totally driven to the streets, he leaves for his native town to dissolve his wife’s ashes and in the process dies there witnessing bitter scenes. Director has beautifully brought out the similarities between a nine-rupee note and Madhava Padayachi.
This is a poignant tale of an old man who failed to take a middle path, which leads to discordance at the domestic front and the dispersal of family to different directions. He is the perfect example of an Onbadhu Roobai Nottu, which is non-existent and cannot be used in the market.
Sathyaraj steals the show by living the life of Madhava Padayachi. The top of the crop would be the sequence in the middle of the night where he carries his snake bitten wife on his shoulders totally clueless about where and how to go. Sathyaraj simply proves that he is a seasoned actor after all. Giving him the toughest competition is National Award winner Archana.
She sparkles and proves her mettle beyond words. Nazar and Rohini as Padayachi’s friends have done remarkably well. The scene where Rohini fears that her brothers may drive Sathyaraj out conveys the message just with her trembling eyes and quivering lips. Kollywood has one more perfect villain in dance master Shivashankar, who is likely to be seen in many movies henceforth.