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New York: Dover Publications.Ĭeminaro, J. Teach your Body to Blow: Fundamentals for Brass.
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Jundiaí - São Paulo: Keyboard Editora Musical Ltda.īrüchle, B., & Janetzky, K. A Arte do Sopro: Desvendando a técnica dos instrumentos de bocal. Air-ev Productions.īourgue, D., & Fako, N. It’s not all in the Air: A Glimpse at the first overlay of brass playing: Robotics.
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Oxford: Oxford University Press.īolter, N. The Oxford Companion to Musical Instruments. Brass Instruments Their History and Development. A Modern Valve Horn Player’s Guide to the Natural Horn. Valved Brass: The History of an Invention. Horn Technique: A New Approach to an Old Instrument. Antique Brass Wind Instruments: with buyer’s Guide. Para além dos livros há também inúmeras Teses e Dissertações e Artigos disponíveis na internet.Īdams, P. Espero que com esta lista seja mais fácil encontrar aquilo que procura. (working well with colleagues understanding and working with/in spite of "jitters" sample solos: Tchaikovsky Symphony No.Há de facto boas fontes de bibliográficas para o estudo da trompa, infelizmente grande parte está em inglês, francês, alemão, italiano ou espanhol, fora de impressão ou é de difícil acesso.
#THE ART OF FRENCH HORN PLAYING FARKAS HOW TO#
(tips on how to do lip trills, flutter-tonguing, mutes, handstopping, mouthpiece/embouchure visualizer, pencil clips, mouthpipe stopper, other misc.)ġ1: Performance Etiquette, Pre-Concert Anxiety, Solos, Career in Horn Playing (explanations where it came from and how to do it, including interval and clef methods)ġ0: Lip Trills, Special Effects, Muting and Stopping, Miscellaneous tips/aids
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(how we play music-grasping what the composer had in mind and interpreting it identifying "important" notes and using intensity to assist in phrasing (sentence analogies) understanding differences in style) (developing a three-octave range, a dynamic range how to build endurance how to reduce or balance mouthpiece pressure reasons for accuracy problems and ways of improving accuracy) (concept of alternate fingerings and how to find them, how valves work practicing-need for warming up, lip slurs, "good" practicing, practice materials, routines)ħ: Range, Endurance, Mouthpiece Pressure, Accuracy tonguing, "too" and "doo" articulations with demonstrations introduction to double and triple tonguing) (embouchure basics and its impact on tone the effects of bell direction and right hand position physical fitness of lips and body basics of good breathing) (playing while sitting/standing right hand position ways of focusing/concentrating)Ĥ: Embouchure, Tone Quality, Physical Fitness, Correct Breathing (why people might choose the horn and what equipment to choose)ģ: Playing Position, Use of the Right Hand, Relaxation, Concentration Please log in to see them.ġ: The History of the Horn (with demonstrations) The IHS Advisory Council hopes that members will appreciate this service and encourage students and other younger generations to get in touch with a part of horn history. Those who are familiar with Farkas's seminal book, The Art of French Horn Playing, will find some familiar themes (well, it is the same person!), but the chance to hear these "pearls" directly from the source is heart-warming and even more profound. As one will see, his warm personality is more evidence of why so many of his students loved him and appreciated his wisdom and guidance. The opportunity to hear the thoughts of such a luminary of horn history provides wonderful insights into why Philip Farkas, a legend in the horn world as a player and teacher, was so respected. The IHS has purchased the rights to this video as a service to its members, and divided the original two-hour video into eleven segments corresponding to the original eleven "lessons" filmed by Paulick. Paulick for The Brass Emporium (Juneau, Alaska). The French Horn, featuring Professor Philip Farkas, was originally produced and released in 1984 by William G.